BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Museum of Central American Art - ECPv6.17.5.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Museum of Central American Art X-ORIGINAL-URL:https://mocaart.org X-WR-CALDESC:Events for Museum of Central American Art REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20260308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20261101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20270314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20271107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20280312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20281105T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20260614T140000 DTEND;TZID=America/New_York:20260614T170000 DTSTAMP:20260722T170200Z CREATED:20260528T195814Z LAST-MODIFIED:20260722T170200Z UID:47657-1781445600-1781456400@mocaart.org SUMMARY:A Journey to the Soul of Guna Yala DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/a-journey-to-the-soul-of-guna-yala/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Event,Rituals in Central American Art ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2026/05/d5d5e4bd-8c17-7037-2a43-325d3b359d67-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20260920 DTEND;VALUE=DATE:20270131 DTSTAMP:20260722T172643Z CREATED:20260722T165012Z LAST-MODIFIED:20260722T172643Z UID:47685-1789862400-1801353599@mocaart.org SUMMARY:Masters of the Matrix: Latin American Printmaking DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/masters-of-the-matrix-latin-american-printmaking/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2026/07/unnamed.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20260920T140000 DTEND;TZID=America/New_York:20260920T170000 DTSTAMP:20260929T234009Z CREATED:20260722T170227Z LAST-MODIFIED:20260929T234009Z UID:47700-1789912800-1789923600@mocaart.org SUMMARY:One Hundred Years of Printmaking in Costa Rica DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/one-hundred-years-of-printmaking-in-costa-rica/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Event,Masters of the Matrix: Latin American Printmaking ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2026/07/902e60d3-cb22-4d98-bb61-1b3880785135-l-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20261018T140000 DTEND;TZID=America/New_York:20261018T170000 DTSTAMP:20260929T233917Z CREATED:20260929T233802Z LAST-MODIFIED:20260929T233917Z UID:47718-1792332000-1792342800@mocaart.org SUMMARY:Learn the Secret World of Fine Art Prints DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/learn-the-secret-world-of-fine-art-prints/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Event,Masters of the Matrix: Latin American Printmaking ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2026/09/unnamed-2.jpg END:VEVENT END:VCALENDAR