BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Museum of Central American Art - ECPv6.17.5.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://mocaart.org X-WR-CALDESC:Events for Museum of Central American Art REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20230101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20250914 DTEND;VALUE=DATE:20260201 DTSTAMP:20251001T012635Z CREATED:20250128T160134Z LAST-MODIFIED:20251001T012635Z UID:45057-1757808000-1769903999@mocaart.org SUMMARY:Alejandro Aróstegui & PRAXIS DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/alejandro-arostegui-praxis/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/01/Alejandro-Arostegui-PRAXIS.jpg ORGANIZER;CN="Suzanne Snider":MAILTO:suzanne@mocaart.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250727T140000 DTEND;TZID=UTC:20250727T170000 DTSTAMP:20250930T184800Z CREATED:20250906T230918Z LAST-MODIFIED:20250930T184800Z UID:46558-1753624800-1753635600@mocaart.org SUMMARY:Who Gets to Be a Monster? DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/who-gets-to-be-a-monster/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Benjamín Cañas Retrospective,Event ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/Who-Gets-to-Be-a-Monster.jpg ORGANIZER;CN="Suzanne Snider":MAILTO:suzanne@mocaart.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250525T140000 DTEND;TZID=UTC:20250525T170000 DTSTAMP:20250930T184740Z CREATED:20250905T015603Z LAST-MODIFIED:20250930T184740Z UID:46423-1748181600-1748192400@mocaart.org SUMMARY:Tales about “Mincho" - Benjamin Cañas DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/tales-about-mincho/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Benjamín Cañas Retrospective,Event ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/unnamed-7.jpg ORGANIZER;CN="Suzanne Snider":MAILTO:suzanne@mocaart.org END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250330 DTEND;VALUE=DATE:20250901 DTSTAMP:20250924T215642Z CREATED:20250906T224806Z LAST-MODIFIED:20250924T215642Z UID:46530-1743292800-1756684799@mocaart.org SUMMARY:Retrospective of the surrealist - Benjamin Cañas (1933-1987 El Salvador/USA) DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/retrospective-of-the-surrealist-benjamin-canas-1933-1987-el-salvador-usa/ LOCATION:The ANNEX ArtSpace\, 290 NE 2nd Avenue\, Delray Beach\, IL CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/16.-b.canas-Antonia.jpeg ORGANIZER;CN="Suzanne Snider":MAILTO:suzanne@mocaart.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20240728T140000 DTEND;TZID=UTC:20240728T170000 DTSTAMP:20250930T201559Z CREATED:20250907T002052Z LAST-MODIFIED:20250930T201559Z UID:46648-1722175200-1722186000@mocaart.org SUMMARY:Salvadoran Coffee & Pupusas DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/salvadoran-coffee-pupusas/ LOCATION:Florida CATEGORIES:Central American Modernism: Connecting Cultures,Event ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/2F583CBB-C23F-4DA5-9977-266C3548F650.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20240623T140000 DTEND;TZID=UTC:20240623T170000 DTSTAMP:20250930T201928Z CREATED:20250907T002724Z LAST-MODIFIED:20250930T201928Z UID:46657-1719151200-1719162000@mocaart.org SUMMARY:Book Talk & Guided Tour of Exhibition DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/book-talk-guided-tour-of-exhibition/ LOCATION:Florida CATEGORIES:Central American Modernism: Connecting Cultures,Event ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/IMG_9339.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20240607T140000 DTEND;TZID=UTC:20240607T170000 DTSTAMP:20250930T203233Z CREATED:20250907T003321Z LAST-MODIFIED:20250930T203233Z UID:46665-1717768800-1717779600@mocaart.org SUMMARY:Ever had a pupusa ? Sip a Zacapa DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/ever-had-a-pupusa-sip-a-zacapa/ LOCATION:Florida CATEGORIES:Central American Modernism: Connecting Cultures,Event ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/d6ca04b1-a393-2827-c776-7510b3c8575a.jpeg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240308 DTEND;VALUE=DATE:20240901 DTSTAMP:20250930T201431Z CREATED:20250906T235941Z LAST-MODIFIED:20250930T201431Z UID:46630-1709856000-1725148799@mocaart.org SUMMARY:The Cornell Museum of Art at Old School Square Presents: Central American Modernism DESCRIPTION:The ANNEX\n290 NE 2nd Avenue\, Delray Beach\, Florida\n \n \n \n \n \n \n September 14\, 2025\n\n \n\n @ \n\n\n2:00 pm\n\n \n\n\n\n \n - \n\n5:00 pm\n\n\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Alejandro Arostegui\, Mesa Verde con Objectos\n \n \n \n \n \n \n \n \n Alejandro Aróstegui (b.1935 Nicaragua)\nAlejandro Arostegui paints haunting monocratic vistas. Lakeshores. Distant volcanos. In the foreground\, a glimpse of his concern for the environment. Bits of scrap metal. An old drain. He is particularly fond of smashed cans. With them\, he shows us reflected images of solemn figures and lost cities. \nAróstegui was born in Bluefields\, Nicaragua. In 1954\, he began studies in the USA at Tulane and then at the Ringling School of Art. From 1960 to 1962 he went to the Academy of Fine Arts in Paris. In 1963\, he returned to Nicaragua. He had his first exhibition and co-founded PRAXIS. \n \n \n \n PraxisWhile in Europe\, Aróstegui met Amaru Barahona\, a writer from Costa Rica\, in whom he discovered a shared concern for the suffering of the working classes in the Central American countries. Upon their return they contacted César Izquierdo\, a Guatemalan artist with similar ideals\, and between the three they established a place where artists\, poets and intellectuals could argue without fear of reprisals. They called the group “Praxis” and wrote a manifesto with its principles and objectives. Their motto: Action\, Dynamism\, and a permanent state of restlessness. The Praxis gallery in Managua was inaugurated in 1963. URL:https://mocaart.org/event/the-cornell-museum-of-art-at-old-school-square-presents-central-american-modernism/ LOCATION:Florida CATEGORIES:Exhibition ATTACH;FMTTYPE=image/jpeg:https://mocaart.org/wp-content/uploads/2025/09/IMG_0867.jpeg END:VEVENT END:VCALENDAR